Photographic Work   From Above   Robeson Islands

Robeson Islands, Panama - 2012

Kuna settlement, Robeson Islands, San Blas archipelago, Panama (9°31’ N, 79°03’ W

TYPE OF WORK

Signed print


For almost a century the Kuna indians who live on the coast and on forty islands on the Caribbean side of Panama gained a statute of semi-autonomy for its territory called Guna Yala. The 400.000 inhabitants of the islands, who have the right for self-governance, have forbidden any kind of foreign investment on their land. If on one hand they receive visitors and get part of their income from tourism, on the other the Kuna are not invaded by foreigners nor threatened by this kind of tourism that in other parts of the globe might look like human safaris. In 2011 Panama’s government has committed to ratify the Convention 169 of the International Labour Organization relating to indigenous and tribal peoples. This instrument recognizes «the aspirations of these peoples to exercise control over their own institutions, ways of life and economic development and to maintain and develop their identities, languages and religions, within the framework of the States in which they live». The Convention is currently the only legal document for the protection of the rights of indigenous people. The ratification of the Convention means that governments commit to guarantee in an effective way the physical and spiritual integrity of the indigenous people who live on their territory and to fight any discrimination against them. So far, only 22 states have signed it, among which two neighbouring countries to Panama: Colombia in 1991 and Costa Rica in 1993. According to the UN, the indigenous populations constitute at least 5.000 human groups, representing 370 million people who live in over 70 countries.

THE PHOTO

Taken in 2012, It is a silver photography. His original slide is stored by the Yann Arthus-Bertrand Studio in Paris.

THE PRINT

Original work of Yann Arthus-Bertrand. The prints are made exclusively by the Yann Arthus-Bertrand Studio in Paris under the control of the artist himself.

Signed Print, (Not numbered)

All the signed prints include a white border
- Format 1, 2 & 3 = 2 cm of white border around the image
- Format 4, 5 = 4 cm of white border around the image
- Format 6 = 5 cm of white border around the image
Digital print made by the Yann Arthus-Bertrand Studio. Canon IPF 9400 Ink-jet printer, pigmentary ink, printing on acid free 100% cotton fibre paper (Museo Silver Rag)

>> see prints in the YAB Studio

FOR THE SIGNED PRINTS

All our frames are made to measure and hand-made. The wood chosen for the frames is cut directly and assembled as a function of the work and painted as chosen.
For the signed prints, the Yann Arthus-Bertrand Studio offers three choices of frame : dark wood, wood painted white, wood painted black.
It is possible thereafter to choose a frame with glass or a frame with non-reflecting glass.

FOR THE LIMITED EDITIONS

The purchase of the work is uniquely by way of a print.
For any requests relating to framing please send an email to : atelier@yannarthusbertrandphoto.com

>> see frames in the YAB Studio and galleries
encadrement

Delivery charges are at the expense of the purchaser. Delivery time depends on the country in which you live. Between 1 and 2 weeks should be allowed for a print and 3 to 4 weeks for a framed print.

Only for orders taken in July and August, between 3 to 4 weeks should be allowed for a print and 5 to 6 weeks for a framed print.

Once the order is validated, the print is made, signed and framed in accordance with your request.

Customs duties and VAT outside the European Union (+ Iceland, Norway, Liechtenstein) are at the expense of the purchaser. We invite you to get in touch with the Customs services in your country for more information on this subject.

The Yann Arthus-Bertrand Studio works with specialised transporters, who are authorised to deliver works of art.

Once the print/frame has been dispatched, you will receive an e-mail from the Studio giving you the name of the transporter, the number of the parcel and the estimated date of delivery.

Exhibitions

Consulted Works