Fifty years ago, Dubai was nothing more than a few rammed-earth houses, a souk and a port for the dhows sailing the Arab-Persian Gulf and the Oman Gulf. Enriched by the oil revenues of the neighbouring emirates, the State now develops its economy on tourism and has launched the construction of artificial islands. Of the three islands currently being created, palm-shaped Palm Jumeirah, the smallest, is attached to the mainland by a bridge. It consists of a 2 km long “trunk” from which grows 17 “palm leaves” with villas. An underwater tunnel links the extremity of the island to an 11 kilometres-long crescent, which will host luxurious hotels. Launched in 2001, the construction cost almost 12 billion dollars, and is now almost completely finished despite the financial crisis in 2009 that almost made the Emirates go bankrupt. In order to create the island, nearly 94 million cubic metres of sand have been dredged from the sea floor and 40.000 workers were mobilised. This technical prowess achieved by Dutch engineers specialised in construction on water could not have been possible without the massive use of imported labour. Of the 1.8 million people living in Dubai, 80% are underpaid migrant workers. In this non democratic citystate where the Unions are forbidden, and more generally in the United Arab Emirates, Human Rights Watch has qualified their working conditions as «less than human».
Taken in 2008, It is a silver photography. His original slide is stored by the Yann Arthus-Bertrand Studio in Paris.
Original work by Yann Arthus-Bertrand. The prints are made exclusively by the Yann Arthus-Bertrand Studio in Paris under the control of the artist himself.
Original Edition Signed and Numbered
Prints ordered without frames include a white border
- Format 1, 2 & 3 = 2 cm of white border around the image
- Format 4, 5 = 4 cm of white border around the image
- Format 6 = 5 cm of white border around the image
Digital print made by the Yann Arthus-Bertrand Studio. Canon IPF 9400 Ink-jet printer, pigmentary ink, printing on acid free 100% cotton fibre paper (Museo Silver Rag)
>> voir des tirages dans l’Atelier YAB
POUR LES ŒUVRES SIGNÉS ET NUMÉROTÉES
All our frames are made to measure and hand-made. The wood chosen for the frames is cut directly and assembled as a function of the work and painted as chosen.
For the signed prints, the Yann Arthus-Bertrand Studio offers three choices of frame : dark wood, wood painted white, wood painted black.
It is possible thereafter to choose a frame with glass or a frame with non-reflecting glass.
FOR THE LIMITED EDITIONS
The purchase of the work is uniquely by way of a print.
For any requests relating to framing please send an email to : firstname.lastname@example.org
Delivery charges are at the expense of the purchaser. Delivery time depends on the country in which you live. Between 1 and 2 weeks should be allowed for a print and 3 to 4 weeks for a framed print.
Only for orders taken in July and August, between 3 to 4 weeks should be allowed for a print and 5 to 6 weeks for a framed print.
Once the order is validated, the print is made, signed and framed in accordance with your request.
Customs duties and VAT outside the European Union (+ Iceland, Norway, Liechtenstein) are at the expense of the purchaser. We invite you to get in touch with the Customs services in your country for more information on this subject.
The Yann Arthus-Bertrand Studio works with specialised transporters, who are authorised to deliver works of art.
Once the print/frame has been dispatched, you will receive an e-mail from the Studio giving you the name of the transporter, the number of the parcel and the estimated date of delivery.